Saturday, February 26, 2011

mmm..... Food for thought....

Okay... I get the fact that we have to try everything out.... and I get the fact that we have to choose only one option ... but... what I don't get is how this process is meant to work when you love doing all of the electives...
I have just finished my sculpture elective and im even more confused than ever, I love the freedom of expression that this dicipline offers and that a group of people working together in a brainstorming session can have such varied takes on the same word. 
To look around the studio today and not to see any two pieces that were even remotely connected was astonishing.  The fact that sculpture is fundamentally conceptual is more than I could have imagined, how could an artist not be happy in this area?
In the past two weeks I have managed to produce an array of pieces that I can only describe as eccletic.  Who knew that a ball of string and an old battered palette could go on such a journey.  I am truly overwhelmed by the endless posibilities that this dicipline offers, however... how do I know if it is really the one for me?

During the painting elective I worked hard to learn the techniques to enable me to produce a successful piece and I felt a huge sense of achievement when these techniques proved successful.  Yet in sculpture the pieces seemed to take on a life of their own and almost dictate their own direction, so would it be true to say that the achievement I felt on their completion was belittled by the fact that I had no real techniques to qualify them as successful? 

For the moment I suppose I will just have to leave the final decision in the laps of the gods, who knows where my mind will lead me after the next elective, so onwards and upwards and roll on ceramics.....

Friday, February 11, 2011

Sculpture elective...

I started my sculpture elective this week and it really couldn't be any further away from last weeks elective.  The approach is very different, even relaxed to an extent.  We started off the week with a group brain storming which I found extremely interesting, its hard to believe how many tangents you can go off on when your given one word.
From this initial brain storm we were able to list a huge amount of verbs to which we then individually broke down into words that interested us personally.  I chose words like devour, intoxicate, salivate, convert, emancipate and cannibalize.  From these lists we discussed with Mike ways of initiating them into the manipulation of materials.  I finally settled on 'To Cannibalize', as I felt that this was the word that would give me the greatest scope.
From there we were left to work out materials and processes that would enable us to use the verb and in doing so get us started and a path of discovery.
All in all the first week was a time for exploration.  Can't wait for week two.

Saturday, February 5, 2011

The end of the painting block...

I finally reached the end of the 2 week painting block and all I can say is PHEW!!!!  I have to admit that its been 2 of the busiest weeks iv ever had.  We started in week one with life painting and learning about tone, colour plains, background, paint techniques, composition and under painting (to name but a few).  It seemed to me to be like a very weird speed painting class and I found it difficult to keep up at first.  Its hard being told that you have to complete two paintings in a day and some days it was extremely frustrating.  Week two was a little more relaxed, I'm not sure if that has to do with the fact that I was now used to the routine or that the tutors were slightly easier on us, but whatever it was it felt like I had more control and in my mind that was an enormous relief.
We spent the week building installations which we then painted.  At first I found this tedious and again was disillusioned by the process but as the days progressed and I started to implement the techniques I had learned in week one, things started to slot into place.  I even found myself looking forward to starting new pieces and trying to discover my own style.
All in all I found the whole experience to be both exhausting and enlightening.  I don't think for one moment that I know anywhere near enough about painting but I feel that in the two weeks that I spent in the studio I have now got the very basic skills needed to get onto the first rung of the painting ladder.

Friday, January 7, 2011

New year.....

For the past couple of weeks I have been trying to get my head around the idea of disappearing and have been working on a theory that I feel explains my thoughts as to how somebody can actually disappear and become invisible. This is my theory and it makes perfect sense to me, I just hope that it translates well to others..

- If X is a person or say, a pebble
- It leaves a ripple in the pond of life
- So... each X , uses its vibration to reach out and touch the next X near it
- In essence, leaving a memory of itself behind being carried on by those it touches
- BUT... If these vibrations are small and timid, they may never reach far enough to touch the next X
- SO... In theory... those X's that don't make big enough ripples, end up disappearing
- Yes???

Working with this theory I have created a series of drawings and paintings which I feel offer a more visual understanding of the process.

Phew... better take off the lab coat now... my Einstein moment has passed....

Friday, December 31, 2010

Amazing pieces at the Tate...






Antony Gormley, Bed, 1980-1
Bed 1980 
Bread and parafin wax
unconfirmed: 280 x 2200 x 1680 mm
sculpture
Keith Edmier Beverly Edmier 1967
Keith Edmier Beverly Edmier 1967 1998

Ron Mueck
Ghost 1998

Tate Liverpool| Current Exhibitions | DLA Piper Series: This is Sculpture

Spent the last couple of days in Liverpool and fell in love with a exhibition at the Tate gallery. It is an exhibition called the DLA Piper Series THIS IS SCULPTURE (curated by Michael Craig-Martin) and it included works by Dali, Bacon, Gormley, Mueck, Magritte, Warhol, Picasso, Klein, Mondrian and Tracy Emin. Totally fell in love with Sculpture so just thought id share..
Tate Liverpool| Current Exhibitions | DLA Piper Series: This is Sculpture

Thursday, December 16, 2010

The legacy....

A burning loss....

Yesterday all of the pieces fell into place and I was able to complete my work on my bamboo sculpture. With the help of Des (Technician) and my 2 camera people Pat and John I was able to pay my quiet tribute to the invisible and forgotten people in our society.  I thought long and hard about how, where and when this was going to happen and eventually settled on a quiet location in the grounds of the college just as it was starting to get dark.
Because this piece is based on a form of isolation, I chose not to have any witnesses (apart from those needed to fulfil a role in the production).  I also felt that students who were passing by without noticing how the structure disappeared added to the overall feeling of being invisible and overlooked.
I need to edit all 4 camera's footage (will definately need help from dad with this) and add a soundtrack in order for the piece to really mean something.  Overall I don't think the weather and the footage could have turned out any better so I am really looking forward to getting the full piece completed.
Thanks again to Pat, John and Des.

Wednesday, December 1, 2010

Is this really a sculpture? — Illusion 360 - The World's most amazing Art, Design, Technology and Video

Is this really a sculpture? — Illusion 360 - The World's most amazing Art, Design, Technology and Video
salmon_01

Richard Stipl

Richard Stipl

Brooklyn Museum: Ron Mueck

Brooklyn Museum: Ron Mueck

Beautifully filmed piece that works mainly because of soundtrack....

With Muzak for The Invisible People it was my intention to create a piece that put in contrasts two spaces of confinement: The classical space of the hospital/poor farm and the virtual space of the internet. Both spaces symbolize a type of invisibility of the subject. The physical sequestering of otherness(the poor, mad, undesirable) has become spectral under the fashionable guise of spectacle and amusement and so, in the video, the decaying physical space of the Hospital/farm becomes overrun by the voices of the specters of the virtual madhouse. Using search words such as "insane", "poor" as my search words I used the popular websites Youtube and Youporn to create a Muzak soundscape for the ghosts of the abandoned and NYC Farm Colony.

Muzak for The Invisible People

We See What Most Don't

Cabin Fever has gotten the better of me....